Guide to the Reading Workshop: Primary - Chapter 13 Reading Aloud

A Guide to the Reading Workshop: Primary Grades by Lucy Calkins
        *This review includes content from the chapter and content from the discussion

Our last Primary Book Study session was led by 2nd grade teacher Christy Constande.  What a perfect choice to lead a session about Read-alouds!  Christy is a lover of books and exemplifies the type of teacher that Lucy Calkins writes about. This beautiful poster above is taken from Christy's Chets Creek Teacher of the Year celebration.  She was also a finalist for the Duval County Teacher of the Year.

 BIG ideas in Chapter 13

Reading Aloud



"Together with our children - we gulp down stories..."

"Read to them. Take their breath away."





Choosing texts - choose carefully to read aloud several times a day

Use the read-aloud to teach the skills of proficient reading -  20 minutes, several days a week is specified read-aloud time

• Choose the skills to teach - spy on yourself as you read and select the sequence of skills to teach

Reading aloud across the curriculum - read fiction and nonfiction

Making read-alouds more interactive

• Use your hands, eyes, posture, voices and heart
• Let the students take the wheel -"stop and think" and then leave a pool of silence or "turn and talk," "stop and jot,"  "stop and sketch," "stop and retell."
• Some day "be quiet" and "don't talk the experience to death."

Supporting a whole-class conversation

• At Chets Creek, we call this accountable talk  where the students talk to each other without raising their hands and  without the teacher facilitating the entire conversation                                                                                                            

Guide to the Reading Workshop: Primary - Chapter 6 Tracking Kids:Progress and Using Assessment to Support Instruction

A Guide to the Reading Workshop: Primary Grades by Lucy Calkins

Session led by Kindergarten Team Leader, Debbie Harbour

BIG ideas in Chapter 6

Tracking Kids: Progress and Using Assessment to Support Instruction

Which assessments will you use at the beginning of the year?

	Assessment	Who is this assessment for?	What will you find out?
Emergent Readers
	Concepts about print
	Emergent Storybook Reading Stages (Sulzby)
Foundational Skills & Reading Levels
	Letter-Sound Identification
	Spelling Inventory
	High-frequency words
	Running Records
Volume, Stamina & Comprehension
	Tallies or book logs
	Writing about Reading

How will you get to know your readers at the start of the year?

•  a list of reading levels for incoming students
•  last running record from the year before
•  last letter sound identification and/or spelling inventory and high frequency work assessments from the year before
• end-of-the-year writing (on-demand from Units of Study) from the year before

How will you use running records to inform classroom instruction?

• Committing to  TCRWP’s QRI system for running records
•  Making running records an on-going part of Reading Workshop

o   Prepare in bulk ahead of time

o   Create a running record station

o   Have students sit in a line so you can progress quickly

o   Avoid doing more than one running record at a time with the same child

o   Use the old DRA as a back-up text when you are not sure                                      

• Accuracy -Using MSV for analyzing what systems a child is using – work from what a child can do and use this a jumping off point for what to teach
• Fluency - At level J begin checking for first reading fluency (accuracy, automaticity, prosody or expression)
• Comprehension – retelling and answering inferential questions
•  Use this data for guided reading and strategy groups and also to tailor shared reading, read alouds and Skills Block 

How will you keep notes and anecdotal records? Let me count the ways!

How will you assess volume and stamina?

• Running graph of the number of minutes the class reads each day
• Goals with tally book logs for K-1
• Reading logs in 2^nd grade
• Pulling back as the year goes along to get rid of reading too quickly and fibbing and then bringing them back periodically just to check

How will you assess writing about reading?

•  Keep student work in their portfolios or your assessment system
• Begin writing about reading at levels H/I
•  Use read aloud time for writing about reading, e.g., stop and jot, stop and sketch 

How will students self-assess, making reading goals visible?

• Talk explicitly in conferences giving students words for what they are doing
• Use anchor charts
• Leave a reminder , e.g., sticky note                                                                                                                                                                                                                                               

Outgrowing Yourself as a Reader - Lucy Calkins

I was so fortunate to be accepted to return to the Summer Reading Institute this month at Teachers College in NY.  It is truly so inspiring and packed with learning it supports my entire year as a literacy coach as well as grows my personal knowledge and understanding of literacy.   And there is no better way to start the week than a keynote by Lucy Calkins.

So much of what she says I cannot capture in words but I thought it important to share the gist of her message and there is just no way to paraphrase it.  Much of this is direct quote.  It's a message that never occurred to me.  Which is how I know it will really change the way I look at my teaching and learning... and reading this year!  I hope it resonates with you as well.

You know that song, “I Hear the Earth Move, Under My Feet...”?  What times these are in education! Times of pressure, times of intensity,...
We live in an information age. Technological knowledge doubles every 2 days. All that knowledge is at kids’ fingertips. It used to be the teacher’s job to convey knowledge to the uniformed, to carry crucial content... and now anyone can access any information with one click.  The teacher’s job therefore is to no longer deliver the information because information is like air, it’s everywhere!  The job now is to help kids actively construct coherent meaning from the deluge of information.  As literacy educators, we’ve got our work cut out for us.

Some people think our work revolves around helping kids tackle more complex texts, and it’s true that some of things that were expected at the end of fourth grade are now expected at the middle of second grade. And those expectations of course, build over the years. But the far bigger challenge is that kids are expected to read with incredibly high levels of comprehension and to write with enormous skill.  The challenges in today’s world does require the lift in expectations. After all, this generation will be the ones to figure out how to keep New York City and other coastal cities from being damaged by floods that are sure to come and other world calamities and illnesses...

The most important thing I can say today is that study after study shows that YOU ARE  what makes the difference in students and achievement.  And I’m worried about this country, I’m worried that this nation is trying to accelerate student achievement by spending seven and a half million on tests and seven and a half million on the technology for those tests and saving nothing for teachers.

The first thing I want to suggest, is that to lift the level of your teaching you need to work on your own reading. I would like this institute to be a turning point for you as a reader.  Come to the institute thinking I’m going to gather knowledge and I’m going to really work on my reading, I’m going to reach for more. I’m going to try to outgrow myself as a reader. You might be thinking you don’t really need to work on your reading. Yet at the start of every writing institute most of us resolve to improve our writing and do get goose bumps at the prospect of writing.  Because we realize….there is writing and there is writing…. we know that writing better as a writer is demanding, deeply personal and intellectual work.  But I want to suggest that if you think of reading well as merely getting the words right, or following the plot or figuring out the theme of the story then you are teaching a reading that is unimagined.  If learning to read well is kid stuff, that will show in what you do.  The kids will learn that learning to read better is kid stuff and teachers just bribe and trick kids into doing it and that in real life skilled readers don’t think about what they read and don’t work on outgrowing themselves as readers.  But you can say to yourself today, “I’m going to try to outgrow myself as a reader. To set goals and to work deliberately toward those goals.” If you do that you can become a reading mentor for your kids and your colleagues. The thing is…to get better as a reader takes resolving to do so. 

Malcolm Gladwell says that to become an expert at anything takes ten thousands hours of practice.  The problem is that it takes ten thousand hours of deliberate practice.  No matter what it is you are trying to get better at it’s not practice makes perfect.  Perfect practice makes perfect. Deliberate practice makes perfect.

So let me ask you, for how many years of your life have you been reading?  And for how many of those years have you been deliberately working at outgrowing yourself as a reader?  What is the shape of your learning curve as a reader?  My suggestion is to resolve to accelerate your curve. 

_______________________________________________________________________________

My initial reaction to this message was hmmm, let me think about that.  I don't know if I can outgrow myself as a reader!  I mean, if you know me you know that I am an obsessive reader.  I read while drying my hair in the morning, while waiting for my kids at dance/soccer, every evening before bed and anytime I get the chance. I even "time myself out" from reading when I have other things to get done!

And I get that I can be a "plot junkie" rushing through to what will happen next...but learning that about myself has made me a bit more reflective and this last year I have slowed down and tried to look at my reading through different lenses. 

So how to improve now?  Because Lucy says if I am not learning I cannot model and be the best reading teacher I can be!  Mentally I am stopping and rereading to ponder things that would have previously slipped through my mind.  I am actively trying to build theories and determine author intention through text evidence (instead of personal experience).  I'm trying to actively keep my ideas within the text.  Does that make sense?  It might not sound like much but it has really changed my reading!

Will you be outgrowing yourself as a reader this year?  I would love to hear what you will be doing!


Cross posted at Once Upon a Teacher

Secrets and Songs of Text

Secrets and Songs

I had the absolute pleasure of learning from Mary Ehrenworth at Teachers College Reading Institute. 


Her session was entitled:  Secrets and Songs:  Deepening What Children See in the Texts They Read

What are some ways to teach close reading so that kids will love reading?
Seeing more and being alert to the secrets and songs of text. 

Secrets and Songs of Close Reading

How can we teach students to see more in the texts they encounter?  You get out of reading what you bring into reading.  You need to know about the things the text is talking about (the nuances it’s referring to)
How can we innovate so that this teaching is engaging, intellectual and joyful?
What methods increase transference?  The highest level of instruction is sometimes your read aloud but there is low transference.
What kinds of texts might we incorporate?  If they do it then it will be rewarding... That’s increasing the likelihood of transference.

One example activity:
I immediately took note that Mary referred to this as visual text.  Read this visual text and see what story it tells. 


Guernica by Pablo Picasso

Mary Ehrenworth

While looking at this Picasso painting she spoke about why Picasso painted it ( “Guernica” was painted in response to a bombing in northern Spain by German and Italian warplanes during the Spanish Civil War.  It is a mural sized painting that represented the horrors of war.)  Teach kids to notice what there is to be noticed.  Turn to partner and speak about what you see.

The next thing would be using words to describe these things you see and back it up with evidence. Make sure to teach kids to be specific but kind of literary. (Lots of times kids skip the hard part of text- make sure they stop and look at every little thing)
Is the painting sad or what?  desperate? Not hurt, desolate?  What specific word would describe these characters or one of these characters rather than just any character in any book?  She asked us to try that with a partner by saying, “Your idea, then your evidence.” Either one character, all characters or compare/contrast characters.

After we spoke for a minute she interrupted us with a mid-teaching point. “Let me tell you what I notice with some nice reading work I see going on here: I heard readers saying the characters seem ____ because______.  There is no one right answer when texts are complex so it’s about seeing all the sides of something and telling why you see that or read that.  Then synthesize it to what is this starting to be about.  “What in the text makes you say that? ”Complex texts are about more than one thing and why do you see what you see?”  Teach kids not to say the characters ARE, say the characters SEEM....

So we talked about what is happening in this text, what is happening with the characters and then what is this text starting to be about...  message, underlying theme....chances are with complex text there are more than one.  So get in the habit of saying: possible idea, evidence and then your partners should be saying, “What makes you say that?”  Ask them to point to the part that demonstrates what you are saying.  So Close Reading is about wanting to see more in the text. 

As another example activity:  She then gave us the lyrics to the Mackelmore song: “Wings”  Equally complex but different kind of visual text.  She suggested we read it with our partner because one of the ways to increase your comprehension and help you see complexity in text is to compare your thinking with someone else. 
Read it and think about who is in this story and what does it seem to be about. 

"Wings"
(feat. Ryan Lewis)

I was seven years old, when I got my first pair
And I stepped outside
And I was like, momma, this air bubble right here, it's gonna make me fly
I hit that court, and when I jumped, I jumped, I swear I got so high
I touched the net, momma I touched the net, this is the best day of my life
Air Max's were next,
That air bubble, that mesh
The box, the smell, the stuffin', the tread, in school
I was so cool
I knew that I couldn't crease 'em
My friends couldn't afford 'em
Four stripes on their Adidas
On the court I wasn't the best, but my kicks were like the pros
Yo, I stick out my tongue so everyone could see that logo
Nike Air Flight, but bad was so dope
And then my friend Carlos' brother got murdered for his Fours*, whoa

See he just wanted a jump shot, but they wanted to start a cult though
Didn't wanna get caught, from Genesee Park to Othello
You could clown for those Pro Wings, with the Velcro
Those were not tight
I was trying to fly without leaving the ground,
Cause I wanted to be like Mike, right
Wanted to be him, I wanted to be that guy, I wanted to touch the rim
I wanted to be cool, and I wanted to fit in,
I wanted what he had, America, it begins

[Chorus:]
I want to fly
Can you take me far away
Give me a star to reach for
Tell me what it takes
And I'll go so high
I'll go so high
My feet won't touch the ground
Stitch my wings
And pull the strings
I bought these dreams
That all fall down

We want what we can't have, commodity makes us want it
So expensive, damn, I just got to flaunt it
Got to show 'em, so exclusive, this that new shit
A hundred dollars for a pair of shoes I would never hoop in
Look at me, look at me, I'm a cool kid
I'm an individual, yea, but I'm part of a movement
My movement told me be a consumer and I consumed it
They told me to just do it, I listened to what that swoosh said
Look at what that swoosh did
See it consumed my thoughts
Are you stupid, don't crease 'em, just leave 'em in that box
Strangled by these laces, laces I can barely talk
That's my air bubble and I'm lost, if it pops
We are what we wear, we wear what we are
But see I look inside the mirror and think Phil Knight tricked us all
Will I stand for change, or stay in my box
These Nikes help me define me, but I'm trying to take mine, off

[Chorus:]
I want to fly
Can you take me far away
Give me a star to reach for
Tell me what it takes
And I'll go so high
I'll go so high
My feet won't touch the ground
Stitch my wings
And pull the strings
I bought these dreams
That all fall down

It started out, with what I wear to school
That first day, like these are what make you cool
And this pair, this would be my parachute
So much more than just a pair of shoes
Nah, this is what I am
What I wore, this is the source of my youth
This dream that they sold to you
For a hundred dollars and some change
Consumption is in the veins
And now I see it's just another pair of shoes


So what happens in this story? A boy who wants a pair of shoes, a specific kind?  And then? Dark moment, friend’s brother killed for shoes?  Why wear them?  And then?  Chorus is like inner thinking of fly, what do they mean?  Get away?  Then he gives like a mini lecture and a plea for change? 

What is really hard about this is this is what is expected of our kids on state tests. The tests are normed on a minute a page and a minute a question.  And the kids are really being asked to do close reading, which involves rereading.  They have to go back and ponder and linger and think.  So you have to give them opportunities in your class to know that the first thing you have to do is ask yourself do I even know what this is saying?  Often our kids basically comprehend but they have to be trained to say to themselves, “What am I really noticing?”  When you are doing this work what is helpful to kids is being introduced to technical vocabulary. 

Here are some words you might use in technical vocabulary of looking at music verses text from a book:

Watch the video:



What did you notice after the chorus in the imagery and tone?  Speak to the people for a minute in your group about the lens you were using.  You don't always have to explain it out.  What they saw, or heard, or thought is ok.  One of the things that kids struggle with in state tests is tone. In this video, the tone switches with male voice then kids voices.  Why do you think the performer did that?
 What was happening with his tone when he got angry?

Here are some insructional methods for this:

 Do you see yourself using visual text as a tool to teach text complexity in your clasroom?  This got my mind turning with ideas!  What do you see yourself doing?

Cross posted on ONCE UPON A TEACHER

From Post Its to Theories in the Reader's Notebook

Here in Florida, we have been talking a lot about how important it will be for our students to learn to write in response to their reading to meet the common core standards but we are still learning what that "looks like" and how to get the students there.

I was very interested to see what Cynthia Satterlee, from Teacher's College Reading Institute had to say during her session entitled:  From Post-its to Theories to Writing Literary Essays:  Help Students Write Quick Literary Essays in the Reading and Writing Workshop

The first question Cynthia posed to us was, "What do you do with all those post its that the kids are stopping and jotting on while reading?" <As I think of how I threw them away when students were done reading so they could start a new book> Thankfully she didn't really require an answer before she said, "Don't throw them away!  Have the kids use them to build theories and essays."  It's a gradual process.  They move from inference to interpretation.  They take the good work they are doing on those post its and make it a little better as they move to writing about their ideas together.

There are so many ways to use the stop and jot:  as an active engagement activity during the mini lesson, as an exit ticket before they leave for independent work in workshop, during their reading in their books...but for when it is used as a quick picture for the teacher to see their thinking such as the morning bellringer thought, active engagement or exit ticket try using it with a JOT LOT.  On the poster each student has an empty square with their "student number" and they leave their thoughts there.  Imagine how much more thought they will put into it knowing their peers with see!  This will also give you a quick look at who you need to meet with or form a small group for during the workshop.

First have them grow their surface thinking on the stop and jots.  Elaboration on thoughts:
character feeling...... to......character feeling with evidence
character trait.......to.......character trait with evidence
interpretation of character.....to.......interpretation through character

Be ready for quality conversations with your students and for them to have thoughts on their own and with each other by making sure they are reading quality literature.  By starting with their thoughts on characters they have someone to "get to know" to build theories on.  "How is your theory of this character changing?  Why" 

In 4th grade students need to make inferences about characters, develop theories about character and find big themes in the story. In 5th grade students need to make inferences about characters interacting with other characters in the setting, notice that author sets the story up in a certain way to reveal theme.

How to make worthwhile post-its to bring to conversation in book clubs:
Don’t come to book club or conversation club without post its to talk about
Boxes and bullets can work on post-its
Use those to build ideas about characters

If there a lot of post its with one idea on each, work with them to see how to make a big idea (How are these post its related - do theory work with them)

When they are ready to start "talking like an essayist" then they can use that language to build their essay.

Post its are important, it helps the teacher understanding your thinking, it helps you form big ideas

Don’t worry about essay structure first, get ideas.

Here's how they can see the structure with the stop in jots:

This will be a big move for us in writing this year.  I would love to hear tips and tricks from others that are successfully doing this with their students. 

Cross posted on ONCE UPON A TEACHER

Conferring with Readers

During the Reading Institute last month,  I learned some new ways to look at conferring with readers.

Kathleen Tolen had this to share:  You need to prepare ahead of time, not just conferencing on the

Kathleen Tolan

fly.  Keep notes and follow up on something they were struggling with, look at artifacts (post its) in what they are currently reading ahead of time, study data on this child, have the child tour you through the work they are doing with their reading.  Find a way to lift their thinking a level.  There are lots of ways a mini lesson is a lot like a conference.

What do you do in a conference if you don’t know the kid’s books?  Try to read as many books in your classroom as you can.  If you have a series and you read one you will have an idea about the others. In the beginning of the year have the books out in your libraries that you know.  Also, at certain levels there is a way the story goes basically.  We are holding kids too accountable for comprehending everything.  Do you comprehend every single thing you read in a book or every single part of a movie?  Sometimes when you are just enjoying something you don’t comprehend everything.  It’s ok.  Also, don’t hold a child to the accountability level of comprehension that you have.  An 8 year old will comprehend something differently than an adult.  Tour their post its in their book of stop and jots.  Pick a portion and have them read it to you.  You need to hear your kids read aloud to you at times you aren’t assessing.  If a child is reading a non-fiction text then you can look at questions they may have and say:  I see you have a lot of questions about alligators.  You can take these question post its and put them on the cover of your next alligator book and see if you find the answers to your questions there.  USE post its.  Their work will be better.

The important thing to do at the end of a conference is to leave a LINK.  Just like you do in a mini lesson.  What will the student do when you leave them on their own.  In a mini lesson you end with a link and that is how they go into work session. In a teacher/student conference you end your conversation with what they should do or where they should go next with their reading.  (Not necessarily an “assignment”, but more like a habit or action)  You should see evidence that the student is interpreting their reading.  Noticing, comparing and all reading strategies get them there but their goal is to interpret their reading. 

One thing that is important for us is to have reflection time about what we need to get better at when conferring.  Breaking habits is hard so you have to put it in the forefront of your mind.  You need to “hear” what you are saying after it is over.  Audio record your next conference with the student.  This is easy to do with a smarthphone!  Continue doing it until you are doing what you want.  Kathleen did this for weeks and realized she was doing too much of the talking and not enough of the listening.  At first she put a sticky note on her clipboard that said “Shut Up” until a student saw it and asked her why she had that written down.  So she ended up telling the class was she working hard on being a better listener than talker.  They all decided to have a code sign for Ms. Tolan is talking too much which was rubbing their nose with one finger.  It really helped her.  Finally one day after a conference a student said, “Good job!” and she said, “Oh, good, I taught you something?”  and she said, “No, good job not talking too much!”  LOL

A reflecting conference shows how your work is improving or maybe they are in a place they need to reflect and see why things are growing and improving.  The kids need to be involved in the learning.  Let them reflect and SEE what their next step forward will be. 
fly.   Keep notes and follow up on something they were struggling with, look at artifacts (post its) in what they are currently reading ahead of time, study data on this child, have the child tour you through the work they are doing with their reading.  Find a way to lift their thinking a level.  There are lots of ways a mini lesson is a lot like a conference.

Alexis Czeterko, staff developer for TCRWP,  had us reading chapter books and jotting our thoughts throughout so that she could model conferring with us.  
Can I just say this freaked me out?!?  What would she think when she read my thinking as a reader?  Was what I was writing "enough"?  Where should I stop and write? Wow, I wonder if this is how my students feel?  Well, the answer to that was probably no.  My students probably didn't worry about what I thought because I didn't spend much time reading their stop and jots or hold them accountable to deepening their thinking.  Hmmm....  I'm going to remember that.

Alexis Czeterko

Alexis shared these points to remember:

Architecture of a Conference
Research the reader
Decide
    what will you compliment?
    what will you teach?
    how will you teach it?
Give a compliment
Teach the reader something and have them try it
Rearticulate what you’ve taught and encourage the student to do this often as she or she reads (LINK)

Alexis says to look through the stop and jots of their independent book before your conference.  If you notice the jottings on post its are not connected in any way that can be ok but try to get the student to connect their thoughts.  Get a theory about the story or character and continue to see where your thinking changes. Help them make that connection the first time if they are struggling with it. 

Documentation is important.  She logs a date under the students page in her data binder and writes her compliments on left of 2 sided paper and right she rights the teaching point.  Sometimes she will pull out the current read aloud or a mentor text to demonstrate what she is trying to teach the student to do in their book.  Go to the student where they are reading, don’t call them back to your space.  Meet them where they are and if other students are nearby hearing what you say it’s ok. They are actually learning too. When the student is done reading they need to do something with their post its.  They may take a few to a new text to build on their thinking. They may use some to tape in their reading notebook and write about their thinking.  They definintely shouldn’t throw them away, staple them in the reading notebook and grow more thinking!

What are your best tips or tricks for conferring?

Cross posted on Once Upon a Teacher

Close Reading

So let's be honest here.  I do have a fundamental understanding of what close reading is but I have been avoiding speaking the words out loud in conversations for a reason.  I don't know if it's because I'm from the south, or because I got it confused with cloze reading in the beginning, but I didn't know if it was pronounced close (as in - close the door) or close (looking at something closely).  Well now I know for sure.  Look at that reading closely! 

Kelly Hohne

Kelly Hohne helped refine my thinking to seeing close reading as a way to see more in text than you did before to help you grow new thinking about it.  Use different lenses to do this.  Then they take these lenses to new texts.  It’s not about understanding the text only.  It's about learning to do something that you can do again on your own later.

When to do close reading?  You don’t want to do it all the time or you will never finish reading!  Do it purposefully.  Maybe look across the introduction of texts, or maybe kids in book clubs might make a decision to do a close reading of this part where they think it is really an important part.  Or maybe if there is a passage of text they think is not important, then why would the author choose to add it?

Think about why, what will kids get out of it, and how will this help my kids with other texts reading independently. 

Stop at the part you want to look at closely and talk about why that part is powerful. Point out which part they can look at to support their thinking about that part.  With informational text the author chooses illustrations, headings, subheadings and possibly even a word bank for a reason.  Does that support your thinking about this important part you are looking at closely? Is the word choice helping make this part important? 

Lenses to Use with Close Reading:
craft
relationships/interactions
point of view - What is the perspective of the author on this topic?  What perspectives are included in this text?  Missing?
language author used - How has the author used language?  (Non-fiction - How have experts quoted in article used word choice?)  What words stand out?  Why jight the author have chosen these words?  What do they show?  Are the words creating a positive or negative tone?
text structure - How has the author organized the text?  Why might he/she have made these choices?

Go close with very small portions of text

You could do close reading with an except from an article using the lens: what does the author want you to think, then show them an opposing article or text.

As a teacher read the passage as a reader.  Stop  and then reread it and think what part do you want them to look at closely.  What part do I want them to see more in....look at the standards and see what they need to work on.  That’s the part you base the lesson on. 

You may have the students take that portion of reading and write a response connecting their new thinking with evidence from the text. 

Close reading can be used in a mini lesson, while conferring with students, in the closing of a workshop and during book clubs.  When do you use close reading?

Cross posted on Once Upon a Teacher

Ramping Up Readers' Workshop

Most of us who are elementary teachers know we are going to have to teach readers to grapple with complex text in order to help them meet the more speedy growth that common core requires but we don't know yet what exactly that will look like in our classrooms.  We can't go faster or squeeze in more lessons so we need to be very prescriptive about what strategies we use to move our students through text levels and help them respond critically writing about what they read. 

Kathleen Tolan

On Day 2 of Teachers College Reading Institute, Kathleen Tolan reminded us about not forgetting to use the important metacognitive strategies in our lessons but showed us ideas to help students dig deeper for more complex work. 

*  Visualization and Envisionment help students be more engaged in their reading because they see it in their minds eye.  What you envision may be wrong until the text corrects you.  As a reader, you adjust to what the author is showing you with their words.  This is why reading fantasy can be so hard because you don’t have a schema for what something may look like.  You can practice this with kids by reading aloud and having them close their eyes while you read something.  They can sketch what they are see in their mind movie.  This is a whole part of reading that can be lost to some students.  Build the world of the story.  When you can do this and you really understand the character you can better make predictions.  Prediction engages students.  It makes them want to find out if they are right.  Kids can be unspecific about what they think “I think she will be able to do it”  Make them predict the steps that leads to their prediction.  When the prediction is wrong, then you have some work to do about why they predicted wrong. 

* Character work is important because it helps us understand why characters do the things they do.  What are the traits of this character?  Help kids understand which traits might be positive or negative, what happened in the story that might change the character’s traits.  Find text evidence to support it or things that are evidence to the contrary.  Read over your jottings during reading and find out how they go together.  Group your jottings together to make new ideas.  Look at your jots through the eyes of another character.

*Theme in a book is not looking at what book is about.  It is about the aspect of that topic.  Example:  Book is about Friendship.  Theme is how friends can be there for you when you are going through a hard time.  Don't let kids get away with broad statements.  They should be used to you saying, "Say more...".

*Make a chart of sentence starters for students to dig deeper and tell more about their noticings and judgements after reading.
To add on...
This makes me realize...
My other theory is....
The bigger idea I am having now is....
In other words...

Digging Deeper

How do we help our children know that there is hard work that will have to be done for a book?  Tell them.  When you are modeling for your students you need to point out what you are doing specifically, because this is hard work and they need to know exactly the steps to do.  It is possible to over-scaffold or over-coach but you need to be honest about the hard work they are doing so they expect to struggle and reach for the answer.

Because reading is invisible, we have to make it more tangible for kids. There is not a reading skill that we don’t use in life.  Watch their actions and point out when they predict and infer and make connections when they are just living their lives as readers.

Cross posted on Once Upon a Teacher

Interactive Read Aloud

Alexis Czeterko

This week at the Teachers College Reading Institute I've had a School Leaders Group Session with Alexis Czerterko, staff developer for upper grades for TCRWP each day of the week.

Alexis has really pushed my thinking about things I thought I already knew how to do.  Some of those things I will share here on this blog and others I will share on my personal blog after I have had a chance to do the activities with you (Chets Creek Elementary School teachers) in person! 

One interesting thing about these sessions with Alexis each day is that we took the role of students in a Readers' Workshop.  Do you know how hard that is to do?  Let me tell you, as she goes conferring around the room your heartbeat starts going a little faster thinking, "Is she going to ask me a question?  Aaaccckkk!  What if I don't know the answer?"  You may be laughing but really it made me think about how students feel when they know they are going to be talking with a teacher about something they are not sure about.  So I guess what that taught me is I have confidence in my reading, but I don't have confidence that I am thinking deeply enough about my reading.  So what do I need to work on?  Because if I am not living my life as a growing reader than how can I teach my readers to grow?  More about that later...

The first important thing to do with an interactive read aloud is to choose a book carefully that aligns to the unit of study you are working on and the teaching points in that unit.  When Alexis modeled the interactive read aloud during our "Readers' Workshop" she had prepared the book ahead of time with sticky notes all through it to remind herself as a teacher the times she wanted to stop and model or help the readers draw meaning from envisioning, inferring and synthesizing.  You are to give kids

Interactive Read Aloud

an image of what proficient reading looks like.  She began by saying,"Look at the cover and get your mind ready".  Then she referenced a word bank that she had put on the document camera of words from the book we would encounter.  The word bank was separated by just new vocabulary and content vocabulary. She instructed, "Talk with your partner about words you don't reecognize."  After reading the first page in the book she walked the book over to the document camera and showed that first page and said, "Talk with your partner about words you see that were in the word bank.  When she did stop and model she gave us many opportunities to turn and talk.  If you don't prepare deliberately what you are going to talk about it would be hard to be focused about what the kids are learning from your modeling.  An example of this would be Teacher: "Given what just happened, I think the character is feeling and thinking " Then she would read a little more and stop and say: "Turn and tell your partner what the character is probably feeling now about this?  During turn and talk she circulated the room.  Her goal being for the kids to "grow" their thinking from the previous part.  After a few of the models that she did she stopped and pointed out implicitly her teaching point, "Did you see how I grew my ideas of the main character as we went along?

I loved hearing more about interactive read alouds.  I know that from now on I will prepare my teaching points more carefully and not be afraid to cover the book in sticky notes!  Even though I was comprehending the book just fine as a student the turn and talk points made me think deeper about the characters and text.  An essential as we prepare to ramp our kids up faster!

Cross posted on Once Upon a Teacher

Helping Our Youngest Readers Move Up the Ladder of Text Complexity

Natalie Louis

This session was presented by Natalie Louis who is the co-author of Writing for Readers
(Heinemann, 2013) a unit of study for Kindergarten writers. 

The lower grade is potentially in danger with text complexity.  It's a huge learning curve from what we've been doing.  We need to find new ways to move readers forward faster.  Don’t abandon Fountas and Pinnell.  We still need reading levels, the progression of students has just been ramped up.

In kids book baskets, in the past the teacher would mostly have the students independent level.  We started to play around with the formula in the baggies.  Marie Clay says what most grows readers is the instructional level (stretch level). So already we aren’t putting the right thing in the book bags.  Reading Recovery studied and discovered kids grow one level every two weeks, so most of the instruction wasn’t at instructional level.
So we decided to get more instructional level texts in baggies - more shared reading with a small group, sometimes one to two levels above their grade level.

I want to read that book with you!!!!!

Kindergarten teachers understand the power of shared reading.  How you know its a good shared reading - the kids are excited and UNRULY!  And its mostly implicit (just doing reading - don’t talk about it).  Less blah, blah, blah, more do, do, do.  It’s why they want to read.  They hear that model of you reading and want to sound just like it.  If your kids are all sitting still, hands folded -it’s not a good shared reading (all eyes on same text - 1 book).  More like a MOSH pit where kids want to surf toward the book.  That's what she wants to see in classrooms.  Excitement! 

You do the dance of shared reading.  As much as they need, until they DO back.  Gesture for them to try, don’t talk about it. Continue saying "Join me if you can." as you turn the page.  Just read it with them.  We are talking levels below I , J. 

Take guided reading books and use them for group shared reading.  Teacher is only one with copy.  All eyes on same text.  The idea is that at the end they might be able to read by themselves. 

Kids below benchmark get this burst schedule of shared reading instruction from you.

Example "Burst Group Schedule"

You would do two week cycles where you take one group and see them intensely and work with the instructional books in their baggie.  This won't take much time!  These are low level books you can shared read the entire book pretty quickly.

Day 1: Two or three instructional texts (meaning books 2 or 3 levels above their independent level)  in shared reading. Saying to the kids: Join me if you can.  The kids are shouting out things they notice and you just don’t respond.  Keep reading and stopping and saying “Join me if you can”
Day 2:  Two shared reading two above level
Day 3: Guided reading at their level
Day 4:  Two shared reading  two above level and decide how each is doing
Day 5:  Informal or Formal assess to see if their level moved unless they are totally lost still

This can help them “burst” ahead.  Even if you can move a few up faster the one behind can get more focused one on one help.

Partner Reading - There is no reason to have a reading partner unless there is trouble.  If things are good...you don’t need help.  A partner is there for help.  Make sure kids know why they have a partner - so there’s someone else to help when there’s trouble or join the joy!  They need to understand the why of partner reading.

Every child has that one book they keep picking up that is WAAAAY above their level.  Maybe its a book they've seen an older sibling read, maybe it's a topic or popular character right now, but whatever it is - Let them have it!  I call this the child's northstar book - way above your level but you will LEARN to read for this book. They want to read this book so bad they try to sound these huge words out when they are really a C level reader!  Mark it with a post it and say this book is special because it is hard for you but we will give you a shot.  Guess which book they work on hardest?  If I say a book is "just right" and you struggle with it what are you saying in your head to yourself in your head?  "My teacher said this book is just right and I can't read some of these words - ugh I'm so dumb."   A hard book they know is hard  they say, "Oh, I don't know lots of these words but she said it was hard for me so no big deal."  but they work harder.  Let them have it but label it with a sticky note with a star so they know that is their special hard book they chose.

As an aside...I remember when my son was in Kindergarten and hanging at the C level for so long and desperate to read Star Wars easy readers.  I bought them anyway to keep at home and I would read them aloud to him at times but he sat in front of those books longer than any others trying to sound out "Obi Wan Kanobi".  I'm pretty sure "the force" (or his Northstar books) propelled him through those primary reading levels. :)

I think the Common Core Standards and text complexity will force us to continue looking for new and different ways to get those "bursts" in reading levels.  Do you have any tips or trick to share?

Cross posted on Once Upon a Teacher